She's suffering from a rare blood disease and is trying to connect with her dead mother. His teenage daughter Shilo is unaware of her father's murderous activities. Nathan Wallace has become GeneCo's main legal assassin. Because of a past connection between them, Dr. If you don't make the payments on that liver or kidney, GeneCo's repo man will visit you and remove it - sans anesthetic or sympathy. People are now able to buy the failing physical element within and live a normal, happy, and painkiller addicted life. Thanks to the efforts of Rotti Largo and his fiendish family - sons Luigi and Pavi and daughter Amber Sweet - their renowned GeneCo body part manufacturing concern has saved the planet from extinction. In the not too distant future, a plague has caused massive organ failure among the world's population. What he winds up with is something so incredible, so undeniably distinctive, it suggests that the best is yet to come for this 30 year old artist. Originally a stage play, and then a 10 minute pitch trailer for perspective inventors, this literal songfest arrives just as Bousman abandons the Saw series for greener - and in some ways, grosser - pastures. Proof of this comes in the long gestating pet project of his - Repo!: The Genetic Opera. Believe it or not, he's a sucker for the classic musicals of the Golden Age of Hollywood - albeit within a peculiar, idiosyncratic perspective all his own. Yet oddly enough, terror is not Bousman's true cinematic love.
But it was the relative newbie behind the lens who found a way to expand on the storyline while keeping fright fans satiated with gallons and gallons of grue. Sure, Australian wunderkinds James Wan and Leigh Whannell created the Sundance sensation, and parlayed said return to classic suspense into a certified horror franchise. It may seem strange to say it, but the Saw series really belongs to Darren Lynn Bousman.
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